重点在此 (1940)

　　still think of this, one of his first movies, as his best. Here Cantinflas' explodes with comic genius. He fully develops the under-educated but always noble, kind-hearted delinquent he is that speaks his mind, only to the confusion of even the most highly educated. The courtroom ending scene also establishes the formula for a bunch of &quot;mistaken identity&quot; plot movies that follow. 　　The &quot;Bobby&quot; scene at the beginning makes you howl with laughter. The portrayal of the absurdities and paranoia of the upper class let every working-class bloke bellow out loud as well.<br /> 　　译文(3): 仍然认为这是他的第一部电影之一，是他最好的作品。在这里，坎坦夫拉斯充满了喜剧天才。他充分发展了受教育程度低，但总是高尚、善良的罪犯，他是一个说出自己想法的人，即使是受教育程度最高的人也会感到困惑。法庭结束场景也建立了一系列“审判”的公式；错误的身份”；接下来的剧情电影。